| With a new artistic director
and a slew of fresh young talent in the ranks, the Bolshoi
Ballet is understandably eager to show the world a modern
face for the 21st century. Unfortunately, its new production
of ``Romeo and Juliet,'' which opened the company's five-day
run at Zellerbach Hall this week, is not the right vehicle.
British theater director Declan Donnellan
brings more than a few intriguing theatrical ideas to the
ballet's staging, but he left most of the choreography to
Moldovan Radu Poklitaru. The weakness of the choreography
is evident in Donnellan's and/or Poklitaru's penchant for
distributing the dancers in interesting patterns with little
regard for how they get there. While the tableaux that the
dancers form are often visually striking, the movements into
and out of these pictures show no understanding of choreographic
line or musicality.
Fortunately, Maria Alexandrova as Juliet
and Denis Savin as Romeo are charismatic enough to carry the
ballet. The technically brilliant Alexandrova, promoted to
principal a few months ago, was already a star in the making
at the Bolshoi's last appearance here in 2002. She and Savin
share an ability to adapt to Poklitaru's modern idiom -- a
low center of gravity, heavy swinging movement and often grotesque
positions -- that sets them apart from the rest of the corps
of ballet-trained dancers. In fact, the lanky, 20-year-old
Savin remains in the corps even though he's dancing a lead
role, another sign of new attitudes in the once rigidly hierarchical
company.
Playing Mercutio, Yuri Klevtsov steals
almost every scene he's in, whether in Roaring Twenties drag
or a Don Johnson white suit and black T-shirt. Also notable
were Denis Medvedev as a smarmy, short-fused Tybalt, and Alexander
Petukhov, portraying Friar Laurence as an equally smarmy faith
healer.
Artistic director Alexei Ratmansky has
assured fans that despite this new staging, the Bolshoi will
not abandon its classical heritage. The company returns to
the more familiar grandeur of the 19th century with “Raymonda,''
which runs through Sunday.
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