| "The
Queen of Spades" by Rolan Pety
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The
ballet to the music of the Sixth symphony by P. I. Chaikovsky
(musical editing by Rolan Pety).
The libretto by Rolan Pety based on the novel “The Queen of
Spades” by A.S. Pushkin.
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| ...Cards
are everywhere: they are on the ceiling, on the walls, to
say nothing of the people’s hands, and, what is the main point,
in the people’s minds and souls. They are everyone’s destiny,
promising either success or despair and craziness.
How to overcome the doom? Is there a
way to become the master of your own life? Is it worth sacrificing
your real love to an unreal passion that is beyond your reach?
That’s passion for gambling which may enable you to become
a superman. (
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| Photos: |
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| Description
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| Scene
1. Prologue |
With the first sounds of
music German enters. He wanders about the place, he is looking
for something or someone. Those, who he is looking for, leave
their gambling tables in the form of four suits of cards and
start moving in his direction.
German watches the gambling. Suddenly
a spectre appears from nowhere - it is an old woman, all in
black. She bets on three cards, one by one. The place is getting
flooded with banknotes. But the winnings remain untouched
by this strange ghost gambler, who suddenly vanishes into
thin air.
German is alone, there are some cards
at his feet – those are the cards that won. But they are identically
blank. They don’t bear any suit signs.
German runs away. |
| Scene
2. The Gambling hall |
The game is in progress.
The hall with only one gambling table
arranged in the middle. German enters the hall where the game
has already started.
A brilliant dance of the gamblers. German
keeps watching everything.
Change of scenery. |
| Scene
3. The Gambling hall |
We immediately find ourselves
in a ballroom. The gamblers have joined the dancing young
people.
German seems to be indifferent to everything. But deep inside
he is obsessed with one fixed idea - he wants to be lucky
at cards. By gambling he hopes to make his fortune and multiply
it to secure his future.
Everyone dances.
The Countess enters. She bears very strong
resemblance to the spectre seen by German before (at the beginning
of the ballet). She is known to possess one strange secret
of cards. Everyone greets her.
A young girl, an orphan, accompanies
her.
German tries to approach the Countess.
Suddenly the light fades, the music changes
with the Sun meeting the Moon.
German and the Countess dance pas de
deux – they move as if they were in a dream. The light comes
up again, the dream has vanished.
All the people dance.
Then the place gets deserted – everybody
is gone. The Countess leaves, too, following her young companion.
German keeps them in sight until they are gone. It makes the
girl convinced that the young stranger is infatuated with
her. The girl returns on the pretext that she has left her
handbag behind. They dance and she gives him the key to her
bedroom. |
| Scene
4. The Countess’ bedroom. |
German falters at the front
door of the Countess’ house. He is going to open it with the
key the girl gave him that night. But it’s not the girl he
is to meet there. He heads for the Countess’ bedroom and hides
there.
Here is the room of the Countess. He
sees the Countess enter the room accompanied by her maids
and the young companion. She takes off one piece of clothing
after another: off she has her sables, silks, jewellery, her
attire, corset and at last, her wig. With her wig off, she
doesn’t seem to look so old. Then she disappears behind the
folding screen to change to go to bed. She sends off the maids
and companions and stays alone tete-a-tete with her large
mirror, grey-haired, in her nightgown.
The moment German waited for so long
has come. The Countess is alone. He reveals himself from his
hiding place and stepping towards the centre of the room stands
still. At seeing him the Countess gets stiff, as if made of
stone. He approaches her, turns her to face him and straight-forwardly
asks about the secret of three cards. She keeps silent, he
insists. Then makes a weak attempt to embrace her, but doesn’t
dare to go on. Though he could, he says, make himself her
lover, if needed.
Then he loses patience, and taking out
a pistol, threatens her: "I want to know your secret".
But no answer – she falls dead. German, horrified, disappears.
The girl, surprised and worried by the
noises, turns up and finds her lady - the Countess - dead
on the floor. |
| Scene
5. German’s room |
German is at home. Sitting
on his bed with the jacket off. He nervously bites his nails;
he is beyond himself with despair. He fully realises that
his lucky chance slipped away from him. All is in vain.
He holds the pistol that has become the
reason for the Countess’ death, and he regrets that he can’t
make use of it for himself - the pistol is not even loaded.
All of a sudden the Countess makes her
appearance. She produces the three winning cards: the Three,
the Seven and the Queen: of hearts, of diamonds, of clubs
– any; but not the Queen of Spades. On hearing this German
takes his jacket and rushes out of the room to try his fortune.
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| Scene
6. The large gambling hall |
A large game with a huge
number of gamblers goes. German enters, he makes a bet...
The Three comes first and…wins, then the Seven follows and
wins, too. Now the Queen… – he can’t believe his eyes - the
Queen of Spades, the Countess herself!
All is over. He falls dead at the feet
of the old Countess. |
| Curtain |
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