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An Opera in 3 acts |
Libretto
by P. Burenin on a poem by A. S. Pushkin "Poltava" |
| The
conductor-co-producer |
- Alexandr
Titov |
| The
producer |
- Robert Struà |
| Scenery
and costumes |
- Georgiy
Aleksy-Meshishvili |
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| The
characters: |
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Ìàzepa,
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Lubov,
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Êîchubey, |
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Orlik, |
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Ìària, |
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Iskra,
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Àndrey, |
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Drunken Cossack.
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Synopsis. |
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Photo by Mikhail
Guterman
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Act
1 |
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| Scene
1
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| Kochubey’s
house (khutor). A peaceful bank of the river. Here runs up
Maria, Kochubey’s daughter. She is overwhelmed with excitement
because Hetman Mazepa has arrived to ask for her hand. Will
Kochubey bless their marriage? It’s long ago that Maria fell
in love with old Mazepa. She cannot imagine her life without
him.
Young Andrey, Kochubey’s fostered son,
secretly follows Maria. He has loved the girl for a long time
and is trying to open his heart to her, though he knows about
Maria’s passion for Mazepa.
The girls, Maria’s peers, invite her
to join them in singing, in throwing garlands into the river
to foresee their future. But she remains unaffected. Andrey’s
efforts to persuade her to refuse pernicious passion for the
old man are also in vain. All her thoughts are with Mazepa.
Andrey understands the futility of his efforts. |
| Scene
2 |
The yard of
Kochubey’s house. Comes to an end a magnificent feast in honour
of Mazepa. Mazepa has not yet talked with Kochubey about Maria.
But the girl’s look of fondness makes him start the conversation.
Kochubey is shocked with Mazepa’s proposal: Maria is his god-daughter,
she is in her spring blossoming and he is a grey-haired old
man. Offended by the refusal, Mazepa insists on his proposal.
Indignant Kochubey orders Mazepa to leave the house. A quarrel
between the hetman’s guards (serduks) and Kochubey’s guests
bursts out. Maria tries to stop it. And then Mazepa offers
Maria to make her choice between him and her family. Infatuated
Maria chooses Mazepa, and he leaves the house taking her with
him.
Lubov, wife of Kochubey, is in despair
and anger. She mourns over her daughter who has left home
and insists that Kochubey should take a revenge upon Mazepa.
It’s a long time that Kochubey has wanted
to reveal to Tsar Peter I that Mazepa is cherishing his plans
of betrayal - to welcome overseas invaders to Ukraine, to
alienate it from Russia. Kochubey’s friend Iskra suggests
that a messenger should be sent immediately to Moscow to warn
against the plans of the traitor. Andrey with risk for his
life volunteers to deliver Kochubey’s letter to Tsar Peter
I. |
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Act 2 |
 |
Scene
1
|
| Kochubey
is taken prisoner and stays incarcerated in Mazepa’s castle.
Tsar Peter didn’t believe Kochubey’s message and both Kochubey
and Iskra were handed over to Mazepa. It is their last night
before their execution. Kochubey is ready to die, he will
never yield to the traitor. Îrlik, Mazepa’s devoted servant,
interrupts Kochubey’s mourning. Orlik is eager to know where
Kochubey has hidden his fortune. Kochubey replies that he
has already lost his treasures: his own honour and the honour
of his beloved daughter. The only treasure left is his sacred
revenge, but he will never let it be taken away from him.
Infuriated with the answer, Îrlik orders to torture him. |
| Scene
2
|
Mazepa’s study. The old
Hetman is tormented by controversial feelings: his love for
Maria and his thirst for revenge upon Kochubey. But passion
for power prevails. Mazepa orders that Îrlik should execute
Kochubey and Iskra at dawn. Maria appears in the room, she
is excited. It seems to her that her beloved has become cold
to her. Eager to calm her down, Mazepa lets her into his conspiracy:
to raise forces against Tsar Peter I, to proclaim himself
Autocrat of Ukraine. Mazepa inquires whom of the two - him
or her father - she would sacrifice, if one of them were to
die. Maria is ready to sacrifice everything for the sake of
Mazepa. The reply calms him down and Mazepa leaves the room.
Maria’s mother steals into the room.
She implores her daughter for her father’s rescue from execution.
Maria does not understand her, she in unaware of anything.
Mother tells her that Kochubey and Iskra are to be murdered
at dawn, in the small hours of the morning. Both women rush
to the place of execution, cherishing a hope that they will
be able to beg Mazepa to pardon Kochubey and Iskra. |
| Scene
3 |
A lot of people
are brought to the place of the forthcoming execution. In
horror they watch the armed serduks pass, followed by executioners
with axes in their hands. They watch Kochubey and Iskra being
led to the scaffold. When Lubov and Maria come to the place,
the execution is already carried out. On seeing her father
dead, Maria goes mad. |
Act
3
|
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| The final act of the
opera is preceded by "The Poltava Battle", a symphony
picture depicting the triumphant fight of the Russian army
headed by Tsar Peter I against the Swedes.
Kochubey’s house is destroyed. There
is despondency and devastation everywhere. In the distance
the fight is coming to its end. The Swedes are defeated. Mazepa
and Îrlik manage to abandon the battlefield.
During the fight Andrey sought to find
his old enemy, but Mazepa escaped. All of a sudden Andrey
finds both Ìàzepa and Îrlik on Kochubey’s destroyed khutor.
They have found a refuge here from the pursuit of the Russians.
Eager to kill him Andrey rushes to the traitor, but Mazepa’s
bullet outstrips the fair revenge.
Badly wounded, Andrey falls onto the
ground. Maria goes out of the house. She is insane. In horror
Mazepa looks at the girl, tries to talk to her, but Maria
does not recognise her beloved. It seems to her that his hands
and clothes are stained with blood, her father’s blood.
Mazepa is depressed, confused and frightened,
but Îrlik urges him to go, otherwise it is going to be a narrow
escape. Mazepa runs away. Only then Maria notices Andrey lying
on the ground. She seems to see him sleeping. Tenderly she
is singing the dying young man to sleep. Her gentle lullaby
song sounds in Kochubey’s devastated garden. |
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